Latour from Peirce: reinscribing the Actor-Network Theory in a Peircean semiotics
DOI:
https://doi.org/10.48160/18517072re59.369Keywords:
Actor-Network Theory, Semiotics, Latour, Peirce, Circulating referenceAbstract
The article traces the links, explicit or suggested, between semiology and Actor-Network Theory (ANT), promoted mainly by Bruno Latour. The concepts of “circulating reference” and “actor/actant”, central to the Latourean theoretical edifice, enable this contact with the “science of signs”. However, specialized literature tends to link ANT almost exclusively with the semiological branch influenced by De Saussure. This comes from the coincidence between De Saussure's relational conception of sign value and the ANT's analytical practice of establishing networks of interdependence between humans and non-humans that would lead to the stabilization of techno-scientific facts. After commenting on these relations, recovered from Latour's own writing as well as from other theorists of this intellectual movement, we argue that the typically structuralist treatment of associative networks casts a framework that is too narrow to be able to contain the demanding explanations and reticular reconstructions of the ANT. As these networks are characterized by their complexity, heterogeneity, multidetermination and irreducibility, we seek to reinscribe the ANT within the framework of Peircean semiotics. This theoretical space is more related to principles shared by ANT studies such as: the material heterogeneity of the components of the networks that form techno-scientific phenomena, the unpredictable condition of communication processes during instances of production, the central place of relational aspects among the ontology of phenomena, the translatability or material transposition as a function that dominates the network and the irreducibility to a single organizing or explanatory principle.
References
Beetz, J. (2013), “Latour with Greimas. Actor-Network Theory and Semiotics”, Academia.edu. https://www.academia.edu/11233971/Latour_with_Greimas_-_Actor-Network_Theory_and_Semiotics
Callon, M. (2001), “Actor-Network Theory”, En Smelser, J. y Baltes, P. B. (eds.), International Encyclopedia of the Social Behavior Sciences. Oxford: Pergamon: 62-66. Calsamiglia, H. (1997). Divulgar: itinerarios discursivos del saber. Quark: Ciencia, Medicina, Comunicación y Cultura, Nº7.
De Boer, B., Molder, H. y Verbeek, P-P. (2021), “Understanding science-in-the-making by letting scientific instruments speak: From semiotics to postphenomenology”, Social Studies of Science, Vol. 51 (3), pp. 392-413. https://doi.org/10.1177/0306312720981600
Farías, I., Blok, A. y Roberts, C. (2020), “Actor-network theory as a companion. An inquiry into intellectual practices”, En Blok, A., Farías, I. y Roberts, C. The Rouledge Companion to Actor-Network Theory. Londres: Routledge: xx-xxxv.
Greimas, A. y Courtes, J. (1982), Semiótica. Diccionario razonado de la teoría del lenguaje. Gredos.
Harman, G. (2009), Prince of Networks. Bruno Latour Metaphysics. Melbourne re.press.
Høstaker, R. (2005), “Latour – Semiotics and Science Studies”, Science Studies, Vol. 18, (2): pp. 5-25. https://sciencetechnologystudies.journal.fi/article/view/55177
Latour, B. (1984), Les Microbes: guerre et paix suivi de irréductions. Editions A. M. Métailié.
Latour, B. (1992), Ciencia en acción. Cómo seguir a los científicos e ingenieros a través de la sociedad. Labor.
Latour, B. (1999), On recalling ANT. En Law, J. y Hassard, J. (eds.), Actor network theory and after. Blackwell and the Sociological Review, pp. 15-25.
Latour, B. (2001), La esperanza de Pandora. Ensayos sobre la realidad de los estudios de la ciencia. Gedisa.
Latour, B. (2007), Nunca fuimos modernos. Ensayos sobre antropología simétrica. Siglo XXI.
Latour, B. (2008), Reensamblar lo social. Una introducción a la teoría del actor-red. Manantial.
Latour, B. y Akrich, M. (1992), “A Summary of a convenient vocabulary for the semiotics of human and nonhuman assemblies”, En Bijker, W.E., and Law, J., eds. Shaping technology/building society: studies in sociotechnical change. MIT Press, pp. 259–264.
Latour, B. y Fabbri, P. (2001), “La retórica de la ciencia: poder y deber en un artículo de ciencia exacta”, En Fabbri, P., Tácticas de los signos. Ensayos de semiótica. Gedisa.
Latour, B. y Woolgar, S. (2001), La vida en el laboratorio. La construcción de los hechos científicos. Alianza Editorial.
Law, J. (2007), “Actor Network and Material Semiotic”, https://www.heterogeneities.net/publications/Law2007antandMaterialSemiotics.pdf
Law, J. (2019), “Material Semiotics”, https://www.heterogeneities.net/publications/Law2019MaterialSemiotics.pdf
Magariños de Morentín, J. A. (1983), El signo. Las fuentes teóricas de la semiología: Saussure, Peirce, Morris. Hachette.
Marafioti, R. (2004), Charles S. Peirce: El éxtasis de los signos. Editorial Biblos.
Mattozzi, A. (2020), “What can ANT still learn Fromm semiotics?”, En Blok, A., Farías, I. y Roberts, C. The Routledge Companion to Actor-Network Theory. Londres: Routledge, pp. 87-100.
Mol, A. M. (2010), “Actor-Network Theory: sensitive terms and enduring tensions”, Kölner Zeitschrift für Soziologie und Sozialpsychologie. Sonderheft, 50, pp. 253-269. https://pure.uva.nl/ws/files/1050755/90295_330874.pdf
Pacheco, P. (2013), “Sociología de la ciencia y semiótica. El esquema actancial en la Teoría del Actor-red y el programa constructivista”, Redes, Vol. 19, (36), pp. 79-103. https://revistaredes.unq.edu.ar/index.php/redes/issue/view/41/38
Peirce, C. S. (1973), “División de signos”. La ciencia de la semiótica. Ediciones Nueva Visión.
Steimberg, O. (2013), Semióticas. Las semióticas de los géneros, de los estilos, de la transposición. Eterna Cadencia Editora
Verón, E. (1988), La semiosis social: fragmentos de una teoría de la discursividad. Gedisa.
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Redes. Journal of Social Studies of Science and TechnologyThe documents published here are governed by the licensing criteria
Creative Commons Argentina.Atribución - No Comercial - Sin Obra Derivada 2.5 https://creativecommons.org/licenses/by-nc-nd/2.5/ar/



